She’d rather face the near-impossible-navigating treacherous reefs and out-maneuvering marauding pirates-than trying to catch a wealthy suitor’s eye.Īnd typical society frowns on that kind of contrariwise attitude.
She’d far rather be captaining her father’s cargo ship than attending fancy balls. After one sequel too many, we can only hope she’s right.It may be a typical London day in the tip-your-hat-and-curtsy year of 1875, but Alice Kingsleigh is not your typical 19th-century young woman. “I fear I may never see you again,” Alice laments to the Hatter toward the end of the movie. How did the Queen of Hearts’ head get so big? If you’ve ever wondered, you’re in luck.īut wondrous visuals only go so far, in a film that turns out to be lethally dull. Screenwriter Linda Woolverton (who was assisted by Bobin) is more satisfied answering questions that nobody asked.
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Do we even care about these people? Nothing in the movie compels us to. If only as much care were put into the slipshod story. It’s a gorgeous metaphor for how recollections of the past wash over us. When Alice is ricocheting through history - on a contraption that conveniently operates just like a ship - memories embedded in waves rise up to meet her. There was clearly a lot of thought put into making the movie look spectacular. The character, like a lot of visual elements in “Alice,” is a sight to behold. The back of his head reveals ticking gears, and he has a clock face where his heart should be. With dazzling blue eyes and sporting a man bun, Time is part man and part clock. Between Depp, Helena Bonham Carter as the raging Queen of Hearts and Anne Hathaway - practically floating as the ethereal White Queen - the man who played Borat has stiff competition. (The actor is a pal of Bobin, who wrote and directed episodes of “Da Ali G Show.”)įor once, Cohen isn’t the loopiest overactor in the cast.
To do that, she steals a machine from Time himself, played by Sacha Baron Cohen. (In case you have any doubt, she warns her first mate, “you know how I feel about that word.”) She’ll need to travel back in time to save the Hatter’s family from the fire-breathing menace. But no one believes him.Īlice doesn’t either, but she’s always game to disprove the impossible. He’s convinced that his family, who he once thought were killed by the Jabberwocky, might be alive. The Mad Hatter - Johnny Depp, hamming it up to a nearly unwatchable degree - is so depressed that he can’t leave his house. Indeed, once she makes her way back to Wonderland, through a mirror, she agrees to a dangerous mission. Since every scene and snippet of dialogue hits you over the head with foreshadowing, we know that her talent for improvised disaster control will come in handy later.
As it turns out, she’s a keen strategist, nearly capsizing her boat in order to evade the brigands. Ever the iconoclast, Alice first appears as a ship captain in 1874, on the run from pirates in the Straits of Malacca. The players remain the same, including Mia Wasikowska as the film’s heroine. Then, just like that, Absolem is gone - along with any pleasant feelings about this joyless jumble of a sequel.įor this second desecration of Lewis Carroll’s prose, producer Tim Burton has passed directing duties to James Bobin. How wonderful to hear the late actor’s marvelous baritone one more time. A blue butterfly named Absolem - voiced by Alan Rickman - beckons Alice back to Wonderland. The high point of “Alice Through the Looking Glass” comes early. Alice (Mia Wasikowska) returns to Wonderland and takes a trip through time in “Alice Through the Looking Glass.” (Peter Mountain/Disney Enterprises)
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